Del Lagrace Volcano
Del LaGrace Volcano (they/them) (b. California 1957) is considered to be one of instigators of queer LGBTQI culture with a working practice that not only documents a ‘queer time and place’ but are also iconic testaments to the love, lust, and burning desire to defy the forces that seek to destroy, disrespect and deactivate us. They have been making work about the queer cultural moments they have both lived and been part of created for nearly 50 years. Volcano has produced five photographic monographs: Love Bites (1991), The Drag King Book with Jack Halberstam (1999), Sublime Mutations (2000), Sex Works with Paul (B)eatriz Preciado (2005) and Femmes of Power: Exploding Queer Femininities with Ulrika Dahl (2008). Their work has also been included in numerous exhibitions, books, journals and films, on art, gender, photography and the body for the past 40 years. They are currently artist in residence at Künstlerhaus Bethanian, Berlin.
Dr Maggie Matić
Dr Maggie Matić (they/them) is a curator, writer and researcher with a specialism in contemporary feminist, crip and queer theory and visual culture. Their doctoral thesis presented a cross-section of contemporary feminist culture through an examination of feminist art, zines and uses of social media, with a specific focus on the body as a site of resistance. Maggie is currently Programme Manager and Artist Development Curator at Somerset House Studios and is a trustee of The Feminist Library. They have previously worked at Studio Voltaire, Tate, FACT (Foundation for Art and Creative Technology), The University of Liverpool and The Royal Standard.
Rosy Martin
Rosy Martin (born London 1946) is an artist-photographer, psychological-therapist, workshop leader, lecturer and writer. She explores the relationships between photography, memory, identities and unconscious processes using self-portraiture, still life photography and video. From 1983, in collaboration with the late Jo Spence, she evolved and developed a new photographic practice - phototherapy - incorporating re-enactments. Through embodiment, they explored the psychic and social construction of identities within the drama of the everyday. Exhibiting internationally and publishing widely since 1985, she has investigated issues including gender, sexualities, ageing, class, location, shame, loss, grief and reparation. In ‘Transforming the suit: what does a lesbian look like?’ (1987) she played with different historical and contemporary stereotypes to challenge simplistic assumptions.
