- Artist
- Bridget Riley born 1931
- Part of
- Fragments
- Medium
- Screenprint on perspex
- Dimensions
- Image: 614 × 798 mm
- Collection
- Tate
- Acquisition
- Purchased 1970
- Reference
- P07108
Catalogue entry
Bridget Riley b. 1934
Each print inscribed ‘Riley 65’ b.l.
Screenprints on plexiglass.
P07104 Fragment 1/7: 26½ x 33 (67.3 x 83.8).
P07105 Fragment 2/10: 28 x 27¼ (71.1 x 69.2).
P07106 Fragment 3/11: 24¾ x 31¿ (62.9 x 81).
P07107 Fragment 4/6: 28 x 27 (71.1 x 68.6).
P07108 Fragment 5/8: 24¾ x 32 (62.9 x 81.2).
P07109 Fragment 6/9: 29¼ x 29 (74.3 x73.7).
P07110 Fragment 7/5: 20 x 39 (50.8 x 99).
Purchased from the Rowan Gallery (Gytha Trust) 1970.
Lit: Maurice de Sausmarez, Bridget Riley, 1970, repr. (iv) pl.47, (vi) pl.II.
The title ‘Fragments’ is significant in that most of the prints consist of images which the artist arrived at through making studies for paintings. (She was at this period working almost exclusively in black and white). In selecting perspex as the ground Riley was clearly interested in setting a dense black image upon an intensely white and brilliant surface.
P07108 relates generally to paintings such as ‘Uneasy Centre’ 1963, and ‘Intake’ 1964, in which either circular or diagonal lines appear to be driven and swept into contraction and expansion.
This suite was published by the Robert Fraser Gallery and printed at the Kelpra Studio in an edition of 75.
Published in The Tate Gallery Report 1970–1972, London 1972.
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