- Artist
- Rita Keegan born 1949
- Medium
- 12 screenprints on paper and photocopies on paper, on paper
- Dimensions
- Image, each: 289 × 201 mm
- Collection
- Tate
- Acquisition
- Presented by the Contemporary Art Society through the Ada Award 2023
- Reference
- T16151
Display caption
Keegan's work responds to her extensive family archive dating back to the 1880s. Here, Keegan employs images and fragments from this archive to create monoprint collages. The artist describes her practice as a response to ‘a feminist perspective' of 'putting yourself in the picture’. In talking about her process, Keegan explains: ‘I've always felt that to tear somebody's face can be quite violent, but if you're doing that to your own face, you've given yourself permission, so it's no longer a violent act. It's a deconstructive act. It's a way of looking.’ This work was made in 1984, the same year Keegan co-founded Copy Art, a community space for artists working with computers and photocopiers.
Gallery label, November 2023
Does this text contain inaccurate information or language that you feel we should improve or change? We would like to hear from you.